Bodies of Work

2025 — 2026
Works concerned with interference — the way meaning arrives interrupted. Mixed media, oil, and dragged acrylic compose surfaces that hold the noise of the city and the effort of trying to see through it.
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2025 — 2026
Paintings that behave like remembered places. Fog, garden, wetland, and residual season are approached not as scenery but as states of perception — landscapes reconstructed from beneath.
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2025 — 2026
Works held at the threshold of change. Heat, oxidation, and physical interruption push each painting through successive conversions until the surface holds the record of its own becoming.
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